October 2, 2012

The View From Here - August 2012

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Pepper. Veggie Series #4. 2012.

THE VIEW FROM HERE
by Stephen Johnson

Raw Form 

I've been thinking about form, organic, sensual form, living objects, the things we grow and eat, the things we subconsciously pick up at a market, the fruits and vegetables that make up so much of our diet. Or ought to. The beauty of these objects, their vibrant color, improbable form and connection to the earth are all compelling sources we instinctively seek.

Our new RAW from RAW class and a visit to the San Francisco Farmers Market, brought a plethora of peppers, eggplant, tomatoes and strange fungus into our lives to serve as models for the class. We needed them as subjects, now feel somewhat overwhelmed at their beauty, imminent decay, and the need to act fast to do them photographic justice before they collapse into something quite different.

The class was fun, very hands-on, and filled with immediate feedback on our work, which was wonderful. In the studio, a slight change in approach shows up immediately. Working with depth of field in such a demonstrable and dramatic way was very rewarding. Making photographs as a depth of field expansion set, then demonstrating how to put them together was also very effective, and fun. (see Testimonial by Alan Kushnir).

It makes me want to wander the beach, collect more stuff, go through the rock and artifact collection, get lost in those most curious things we pick up and hold on to. There must be a reason after all, for me to hold onto so many of those precious jewels of the moment for so many years.

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Pepper. Veggie Series. 2012.

Help! Bell peppers everywhere!!!!!!

I feel like we're drowning in the veggies we gathered for the class. Although it is shame they are wilting, it is also a delight that we are eating very well.

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Cucumbers, Bitter Melon, and Peppers in color and custom black and white. 2012.

Black and White or Color

With the advent of the Black and White Adjustment Layer in Photoshop, whole new worlds of black and white interpretation have opened up to us. The veggies above are a simple example, the tutorial below explores the possibilities a bit further.


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Surf at sunset, north Pacifica.. 2012..

Another Surf Photograph

Why do we keep photographing scenes we've seen a thousand times before? When do they become compelling once again, and what can the photograph be that makes the new particular experience stand out. A topic we'll explore in the Beauty in Photography course coming up November 3rd.

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